The krafft couple as filmmakers 赫爾佐格的剪輯讓人在贊嘆自然壯美瑰麗之外更有一種敬畏也很難不想到《性色一區(qū)二區(qū)》澳門風(fēng)云2什么時(shí)候上映覺(jué)得赫爾佐格也迷戀死亡之前拍攝下的影像以及其中蘊(yùn)含的宿命之感最后的點(diǎn)題也好“because of this unity and this togetherness, they were able to descend into the inferno and wrestle the image from the very claws of the devil.